publication
15
2021
Tassos Kolydas, “Classical guitar in Greece during the second half of the twentieth century: aspects of the transformation of a musical instrument from the repertoire point of view”, 9th Interdepartmental Musicological Conference entitled "Variations, arrangements, transformations", Hellenic Musicological Society, Thessaloniki 2021.
2020
Tassos Kolydas - Nick Poulakis, “From handwritten sheet music to digital notation: Exploring the way Greek Composers compose their works using digital score”, 11th Interdisciplinary Music Conference, «Innovation and Tradition (commemorating the 70th anniversary of Nikos Skalkota's death)», (under the auspices of the Hellenic Music Society, Athens, November 21-23, 2019), Athens 2020.
2019
Tassos Kolydas, “Timestamping Metadata Using Blockchain: A Practical Approach”, Emmanouel Garoufallou, Francesca Fallucchi & Ernesto William De Luca (ed.), Metadata and Semantic Research. MTSR 2019. Communications in Computer and Information Science, 1057, Springer, Cham, 2019.
2019
Tassos Kolydas, “Digital score as a historical source for capturing musical heritage; challenges, opportunities, prospects”, 10th Interdepartmental Musicological Conference: “The musical heritage in Western art music”, (Proceedings of the Interdepartmental Conference under the auspices of the Hellenic Music Society, Corfu, 26-28 October 2018), Hellenic Music Society, Thessaloniki 2019.
2019
Tassos Kolydas, “Digital score: selecting software for teaching music in the Greek public school”, D. Koniari & T. Raptis (ed.), Music Education and Society: new challenges, new orientations. GSME 8th conference, GSME, Thessaloniki 2019, pp. 204-211.
2017
Tassos Kolydas, Dimitri Fampas (1921-1996): a pioneer of the Greek Guitar School, (Hellenic Musicological Editions) Athens, 2017, Panas Music.
2016
Tassos Kolydas, “Digital literacy and music: an approach to beliefs about quality, regarding lossy algorithms for compressing audio signal”, 7th Conference of G.S.M.E.: Music Literacy / Formal and informal ways of music teaching - learning, Thessaloniki, 2016.
2011
Tassos Kolydas, “The repertoire of the Philharmonic Orchestra of New York, conducted by Dimitri Mitropoulos”, Dimitri Mitropoulos (1896-1960): 50 years later (Conference proceedings, edit. I. Fulias, I. Belonis, G. Vlastos, T. Kolydas), Athens, 2011, Orpheus ed., p. 204-216.
2010
Haris Sarris – Tassos Kolydas – Michalis Kostakis, “Investigating instrumental repertoire following the technique of parataxis: A case study”, Journal of Interdisciplinary Music Studies - JIMS, Ismir, 2010, 4/2, p. 99-120.
2010
Haris Sarris – Angelos Velegrakis – Tassos Kolydas, “Drawing a parallel between the gaida (bagpipe) and the Zonarádikos line dance through statistics”, Journal of Interdisciplinary Music Studies - JIMS, Ismir, 2010, 4/2, p. 121-142.
2010
Tassos Kolydas, “Entrusting the leading role to the guitar for the performance of incidental music during the first postwar period; a historical – musicological approach”, Conference proceedings: Greek music for the opera and other forms of the performing arts in the 20th century, Athens, 2010.
2010
Haris Sarris – Tassos Kolydas – Panagiotis Tzevelekos, “Parataxis: A Framework of Structure Analysis for Instrumental Folk Music”, Journal of Interdisciplinary Music Studies - JIMS, Ismir, 2010, 4/1, p. 71-90.
2007
“The 'weak' sound of the guitar and Andrés Segovia being its 'attendant'”, Tar Guitar Journal, 2007.
2007
Tassos Kolydas, “First strides in the performances of guitar concertos in Greece”, tar.gr, 2007, http://www.tar.gr/en/content/content.php?id=373.
2006
“The transformation of the guitar’s repertoire in the early twentieth century”, Polyphonia, Athens, 2006, i. 9.
conference paper
16
2026
Tassos Kolydas – Timotheos Kandylis-Georgakopoulos, “The Music Encoding Initiative (MEI) standard as a research tool in musicology: a case study with the digital critical edition of Mikis Theodorakis’s Sonatina for piano (1955)”, 18th Interdepartmental Musicological Conference: “Contemporary music creation, tradition and renewal”, Arta, 30 October – 1 November 2026 (in Greek)
2020
Tassos Kolydas, "Research and teaching in the digital context: findings and perspectives from the use of digital documents in music", 12th Interdepartmental Musicological Conference, Thessaloniki 2020
2020
Tassos Kolydas, “Locked in time: Utilizing blockchain technology for the long-term preservation of engraved music”, Music Engraving in the 21st Century – Developments and Perspectives, (Mozarteum Music University in Salzburg, Austria, 17-19/1/2020), 17/1/2020, https://www.uni-mozarteum.at/en/kunst/music-engraving-conference.php, (last access: 22.1.2020).
2019
Tassos Kolydas - Nick Poulakis, “From handwritten sheet music to digital notation: Exploring the way Greek Composers compose their works using digital score”, 11th Interdisciplinary Music Conference, «Innovation and Tradition (commemorating the 70th anniversary of Nikos Skalkota's death)», (under the auspices of the Hellenic Music Society, Athens, November 21-23, 2019), Athens 2019.
2019
Tassos Kolydas, “Timestamping Metadata Using Blockchain: A Practical Approach”, MTSR 2019, Rome 2019.
2019
Tassos Kolydas,“Using blockchain technology for preserving digital documents in music libraries and archives”, 3rd Conference of Greek Music Libraries and Archives, Thessaloniki, 11/05/2019
2018
Tassos Kolydas, “Digital score: selecting software for teaching music in the Greek public school”, Music Education and Society: new challenges, new orientations, (GSME, 8th conference), Thessaloniki, 24/11/2018
2018
Tassos Kolydas, “Digital score as a source for recording music heritage; challenges, opportunities, perspectives”, 10th Musicological Conference: “Musical heritage in Western art music”, (Corfu, 26-28 October 2018)
2018
Tassos Kolydas, “Digital score as a means of cultivating creativity while teaching music ensembles in music schools”, Interdisciplinary Conference “The Arts in the Greek School: Present and Future”, National and Kapodistrian University of Athens, 28/9/2018
2017
Tassos Kolydas, “Classical guitar in Greece during the 2nd half of the 20th century: aspects of transformation from the repertoire point of view”, 9th Conference of the Greek Musicological Society, 2017
2015
Tassos Kolydas, “Digital literacy and music: an approach to beliefs about quality, regarding lossy algorithms for compressing audio signal”, 7th Conference of G.S.M.E.: Music Literacy / Formal and informal ways of music teaching - learning, Thessaloniki, 2015
2010
Tassos Kolydas, The repertory of the New York Philharmonic Orchestra conducted by Dimitri Mitropoulos, Conference: Dimitris Mitropoulos The Athens Concert Hall, Athens, November 2010.
2009
Haris Sarris, Michalis Kostakis, Tassos Kolydas, “Investigating instrumental repertoire following the technique of parataxis: A case study”, Proceedings of the fifth Conference on Interdisciplinary Musicology (CIM09), Paris, October 2009.
2009
Haris Sarris, Agelos Velegrakis, Tassos Kolydas, “Drawing a parallel between the gaida (bagpipe) and the Zonarádikos line dance through statistics”, Proceedings of the fifth Conference on Interdisciplinary Musicology (CIM09), Paris, October 2009.
2009
Tassos Kolydas, Entrusting the leading role to the guitar for the performance of incidental music during the first postwar period; a historical – musicological approach, Conference: Greek music for the opera and other forms of the performing arts in the 20th century, The Athens Concert Hall, March 2009.
2008
Harris Sarris ― Tassos Kolydas ― Panagiotis Tzevelekos, Parataxis: a framework of structure analysis for instrumental folk music, Proceedings of the fourth Conference on Interdisciplinary Musicology (CIM08), Thessaloniki, Greece, 2-6 July 2008
workshop / seminar
17
2019
“ChECret database: requirements specification and description”, Le Chant Ecclésiastique en Crète vénitienne aux XVIe et XVIIe siècles: transferts culturels et façonnement des identités dans l’espace méditerranéen à l’époque moderne, (Atelier - Journées d’étude) Ecole Française d’Athènes, 2.5.2019
2019
“The work of Dimitri Fampas and his contribution to the establishment of the guitar as an instrument of classical music in Greece”, 2nd Guitar Festival in Athens (Association of Friends of Music, “Dimitri Fampas”), Athens, 13.4.2019
2019
Music Studies in Higher Education, through the curriculum of the Department of Music Studies of the University of Athens (Orion Conservatory), Athens, 2.2.2019
2018
“The repertoire of the first guitar soloists in Greece and abroad”, 27th Guitar Festival, Patras, 31.3.2018
2015
“Digital literacy and music: Free Open Source Software available to the teacher”, 7th GSME conference. Music Literacy: Formal and Informal Forms of Music Teaching-Learning (Workshop), Thessaloniki, 28.11.2015
2014
“Information and communications technology in the service of the teacher: finding and arranging music for teaching music ensembles”, International and European trends in Education and their impact on the Greek Educational System, Workshop at the 5th International Music Education Conference, Athens, 2014
2012
Introduction to Music Therapy, educational meeting with high school students, in the framework of research work (Preveza, 13/11/2012).
2011
“The repertoire of the Philharmonic Orchestra of New York, conducted by Dimitri Mitropoulos”, Dimitri Mitropoulos (1896-1960) / 50 + 1 Jahre danach, (Institute of Musicology of the University of Vienna, Vienna - 22/10/2011)
2011
New Technologies and Music. Pedagogical exploitation, Educational meeting of music teachers of Primary and Secondary Education of the prefecture of Ioannina and Thesprotia, (Preveza - 3/3/2011, Ioannina - 3/5/2011)
2007
“Music and Performers for Guitar in the 20th Century”, 16th Greek Guitar Seminar (Evangelos Asimakopoulos - Lisa Zoi), Patra, 2007
2006
“The process of establishing an instrument as a carrier of “serious” music: transcriptions for guitar from the repertoire of other instruments”, 5th Guitar Festival of Veria, Veria, 2006
2006
“The Teaching Method of Dimitri Fampas”, 15th Panhellenic Guitar Seminar (Evangelos Asimakopoulos - Lisa Zoi), Patras, 2006
2006
“The Life and Work of Dimitri Fampas”, Tribute to Dimitri Fampas - DEPAD, Drapetsona, 2006
2005
“A Review of the Periodical Press in the Discipline of Musicology”, 3rd Panhellenic Conference of Cultural Print Institutions “The Centrifugal Power of Culture”, Highlights, Komotini, 2005
2000
“Greek Music for Guitar in the 20th Century”, 2nd Musicological Symposium, Andros, 2000
2000
“Dimitri Fampas: Early Life and Guitar Studies until 1955”, 2nd Winter Guitar Festival, Volos, 2000
1997
“The Department of Music Studies of the National and Kapodistrian University of Athens - A Perspective in Primary and Secondary Education”, The School of 2000 Pedagogical Institute, Athens, 1997
conference support
5
2018
The Arts in the Greek School: Present and Future, Member of the Organizing and Scientific Committee, Athens, October 2018; National and Kapodistrian University of Athens, Athens, 2018
2015
7th GSME conference. Music Literacy: Formal and Informal Forms of Music Teaching-Learning, Thessaloniki 2015
2014
Music Technology meets Philosophy: From Digital Echos to Virtual Ethos, 40th International Computer Music Conference (ICMC), jointly with the 11th Sound & Music Computing Conference (SMC), Athens, 2014
2012
Music Education: From the Ancient Greek Philosophers to the World Musical Communities, Greek Society for Music Education - ISME, Thessaloniki 2012
2011
Revisiting the Past, Recasting the Present, Athens, 2011, athensconf2011.gateweb.gr
editorial work
5
2011
Dimitri Mitropoulos (1896-1960): fifty years later, (Proceedings of the Conference, edited by I. Foulias, G. Belonis, G. Blastos & T. Kolydas), Athens, 2011, Orpheus Publishing House
2010
Chrysanthos of Madytos, Great Theory of Music, Katie Romanou, New York, 2010, The Axion Estin Foundation
2002
Polyphony journal, Athens 2002 -
1997
MOUSA students magazine, Athens, 1995 - 1997
1996
Apostolos Kostios, Dimitris Mitropoulos / Catalog of Works, Athens, 1996, Orchestra of Colors
music review
7
2001
“Essay on Silence”, Piraika Grammata, Athens, 2001, vol. 28, pp. 263-264
2001
“Ianis Xenakis”, Piraika Grammata, Athens, 2001, vol. 27, pp. 191-192
2001
“Nabucco”, Piraika Grammata, Athens, 2001, vol. 26, pp. 61-62
2000
“Symphonic Music: Sir Neville Mariner”, Piraika Grammata, Athens, 2000, vol. 25, pp. 260-261
2000
“Manos Hadjidakis: Birds”, Piraika Grammata, Athens, 2000, vol. 24, pp. 200-201
2000
“Guitar Festival”, Piraika Grammata, Athens, 2000, vol. 23, pp. 129-130
2000
“Manuel Salinas”, Piraika Grammata, Athens, 2000, vol. 22, pp. 56-58
other text
5
2018
“The History of Guitar in Greece”, Tar, http://www.tar.gr/content/content.php?category=50
2018
MOUSA Magazine: Texts on Music Education. Book reviews
2009
Tasos Kolydas, “Italy, South France, Spain, Flamenco, Guitar”, HiTech - kidepedia, Athens, 2009
2007
“Tribute to Gerassimos Miliaressis”, TAR (ed. Tassos Kolydas - Giorgos B. Monemvasitis), http://www.tar.gr/content/content.php?id=421, Internet, 2.2007
2007
“Tribute to Dimitri Fampas”, TAR (ed. Tassos Kolydas, Giorgos B. Monemvasitis), http://www.tar.gr/content/content.php?id=628, Internet, 5.2007