Haris Sarris – Angelos Velegrakis – Tassos Kolydas, «Drawing a parallel between the gaida (bagpipe) and the Zonarádikos line dance through statistics», Journal of Interdisciplinary Music Studies - JIMS, Ismir, 2010, 4/2, 121-142.
Tassos Kolydas, "Entrusting the leading role to the guitar for the performance of incidental music during the first postwar period; a historical – musicological approach", Conference Proceedings from Greek music for the opera and other…
Τάσος Κολυδάς, «Ο "ασθενής" ήχος της κιθάρας και ο Andrés Segovia ως "θεράπων" τής μουσικής της», περ. Tar, Διαδίκτυο, Φεβρουάριος 2007. Στο κείμενο εξετάζεται η αντίφαση μεταξύ της χαμηλής στάθμης έντασης της κιθάρας και των συνθηκών…
Tassos Kolydas, "The transformation of the guitar’s repertoire in the early twentieth century", Polyphonia journal, Athens, 2006
Tassos Kolydas, First strides in the performances of guitar concertos in Greece, Tar Guitar Journal, 2007
Event Greek music for the opera and other forms of the performing arts in the 20th century, The Athens Concert Hall, March 2009 Title Entrusting the leading role to the guitar for the performance of incidental music during the first…
Event Fifth Conference on Interdisciplinary Musicology (CIM09), Paris, October 2009 Title Drawing a parallel between the gaida (bagpipe) and the Zonarádikos line dance through Statistics (Haris Sarris, Agelos Velegrakis, Tassos Kolydas)
Event Fifth Conference on Interdisciplinary Musicology (CIM09), Paris, October 2009 Title Drawing a parallel between the gaida (bagpipe) and the Zonarádikos line dance through Statistics (Haris Sarris, Agelos Velegrakis, Tassos Kolydas)
Event Fourth Conference on Interdisciplinary Musicology (CIM08), Thessaloniki , Greece, 2-6 July 2008 Title Parataxis: a framework of structure analysis for instrumental folk music (Harris Sarris ― Tassos Kolydas ― Panagiotis Tzevelekos)
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